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Words near each other
・ Pierre Rodocanachi
・ Pierre Roger
・ Pierre Roger (swimmer)
・ Pierre Roger de Cabaret
・ Pierre Roland
・ Pierre Roland Renoir
・ Pierre Rolland
・ Pierre Rolland (cyclist)
・ Pierre Rolland (military officer)
・ Pierre Rolland (musician)
・ Pierre Roose
・ Pierre Roques
・ Pierre Rosanvallon
・ Pierre Rosenberg
・ Pierre Rosenstiehl
Pierre Rossier
・ Pierre Rossiter and Charlotte Hines House
・ Pierre Rousseau
・ Pierre Roussel
・ Pierre Rousselot
・ Pierre Roux-Freissineng
・ Pierre Roy
・ Pierre Ruffey
・ Pierre Russell
・ Pierre Ryckmans
・ Pierre Ryckmans (governor-general)
・ Pierre Ryckmans (writer)
・ Pierre Réal
・ Pierre Révoil
・ Pierre Rössinger


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Pierre Rossier : ウィキペディア英語版
Pierre Rossier

Pierre Joseph Rossier (16 July 1829 – between 1883 and 1898) was a pioneering Swiss photographer whose albumen photographs, which include stereographs and cartes-de-visite, comprise portraits, cityscapes, and landscapes. He was commissioned by the London firm of ''Negretti and Zambra'' to travel to Asia and document the progress of the Anglo-French troops in the Second Opium War and, although he failed to join that military expedition, he remained in Asia for several years, producing the first commercial photographs of China, the Philippines, Japan and Siam (now Thailand). He was the first professional photographer in Japan, where he trained Ueno Hikoma, Maeda Genzō, Horie Kuwajirō, as well as lesser known members of the first generation of Japanese photographers. In Switzerland he established photographic studios in Fribourg and Einsiedeln, and he also produced images elsewhere in the country. Rossier is an important figure in the early history of photography not only because of his own images, but also because of the critical impact of his teaching in the early days of Japanese photography.
==Identity and origins==
Until very recently, little was known about Rossier; even his given name was a mystery. In his own time he was sometimes referred to as "P. Rossier" and at other times as "M. Rossier". Documents discovered in the Fribourg town archives finally proved that his given name was Pierre, and it can be assumed that the "M" in "M. Rossier" stood for "フランス語:''Monsieur''". He was long thought to be from France and while he was in Japan he was even referred to as an "Englishman";〔He is described as French by for example Yokoe (167). Even the Union List of Artist Names, a research database of the Getty Research Institute, lists "Rossier, M." as "probably British" (ULAN).〕 however, recent research has revealed that Rossier was Swiss, born on 16 July 1829 in Grandsivaz, a small village in the Canton of Fribourg. He was the fourth of ten children of a farming family of modest means. At the age of sixteen he became a teacher at a school in a neighbouring village, but by 1855 he was issued a passport to visit France and England to work as a photographer.〔Bennett provides an interesting account of the research involved in revealing Rossier's identity and background. Most of what is now known about Rossier comes from Bennett's work. (Bennett's Internet article ''The Search for Rossier'' is cited below as "Bennett", while his books ''Early Japanese Images'', ''Photography in Japan: 1853–1912'', and ''Old Japanese Photographs'' are cited as "Bennett EJI", "Bennett PiJ", and "Bennett OJP", respectively.)〕
At some point after leaving Switzerland and arriving in England, Rossier was commissioned by the firm of ''Negretti and Zambra'' to travel to China to photograph the Second Opium War (1858–1860). It may be that the firm considered Rossier's Swiss citizenship an asset for such a voyage, that his country's neutrality might help him find passage aboard either British or French ships. Taking into account the high costs and uncertainty incurred by the firm and the potential hazards for Rossier himself, this was an important commission.〔Bennett.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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